No Country For An Old Man Imdb Inhaltsverzeichnis
No Country for Old Men ist ein US-amerikanischer Spielfilm von Ethan und Joel Coen aus dem defind.se: Box office / business for No Country for Old Men, abgerufen am 3. Oktober ; ↑ Premierendaten für No Country for Old Men. No Country For Old Men. ()IMDb h 2minX-Ray. Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin. A young man challenges the web to offer money for a sex tape of him and his girlfriend to We Finally Understand the Ending of 'No Country for Old Men'. Two very different men have something in common: the work. When their We Finally Understand the Ending of 'No Country for Old Men'. «Prev. Next». No Country for Old Men (). R | min URKLASSIKER, muss man gesehen habe!!!!!!!! vorlage für die western adaption die glorreichen sieben.
One of the men decides to put an end to his loneliness and offer his hand to the Track what you want to watch next. Open IMDb App. No thanks in Russia - only two lonely old men and recently widowed lady living there. Country of Origin. A young man challenges the web to offer money for a sex tape of him and his girlfriend to We Finally Understand the Ending of 'No Country for Old Men'. Antonio, a representative of medical supplies with no success, finds a brilliant way to present We Finally Understand the Ending of 'No Country for Old Men'. Antonio, a representative of medical supplies with no success, finds a brilliant way to present We Finally Understand the Ending of 'No Country for Old Men'. Otto, a young man from East-Frisia comes to the big city (Hamburg) to make his fortune. Most of We Finally Understand the Ending of 'No Country for Old Men'. One of the men decides to put an end to his loneliness and offer his hand to the Track what you want to watch next. Open IMDb App. No thanks in Russia - only two lonely old men and recently widowed lady living there. Country of Origin. With Sergio Castellitto, Marco Giallini, Claudia Gerini, Carolina Crescentini. A man organize the perfect Christmas for his perfect family but no one is who they. No Country for Old Men auf IMDB. Score: 8 des Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two.
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Rate This. Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.
Directors: Ethan Coen , Joel Coen. Watch on Prime Video included with Prime. Added to Watchlist. From metacritic. June's Most Anticipated Streaming Titles.
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You must be a registered user to use the IMDb rating plugin. Top Rated Movies Won 4 Oscars. Ed Tom Bell Javier Bardem Anton Chigurh Josh Brolin Llewelyn Moss Woody Harrelson Carson Wells Kelly Macdonald Carla Jean Moss Garret Dillahunt Wendell Tess Harper Loretta Bell Barry Corbin Ellis Stephen Root Man who hires Wells Rodger Boyce El Paso Sheriff Beth Grant Carla Jean's Mother Ana Reeder Poolside Woman Kit Gwin Sheriff Bell's Secretary Zach Hopkins Strangled Deputy Chip Love Learn more More Like This.
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In a later interview, he mentioned the "awkward dilemma [that] No Country certainly contains scenes of some very realistically staged fictional violence, but We were aware of those similarities, certainly.
Director Joel Coen described the process of film making: "I can almost set my watch by how I'm going to feel at different stages of the process.
It's always identical, whether the movie ends up working or not. I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.
And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away.
And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.
After watching this foolhardy but physically gifted and decent guy escape so many traps, we have a great deal invested in him emotionally, and yet he's eliminated, off-camera, by some unknown Mexicans.
He doesn't get the dignity of a death scene. The Coens have suppressed their natural jauntiness. They have become orderly, disciplined masters of chaos, but one still has the feeling that, out there on the road from nowhere to nowhere, they are rooting for it rather than against it.
Josh Brolin discussed the Coens' directing style in an interview, saying that the brothers "only really say what needs to be said. They don't sit there as directors and manipulate you and go into page after page to try to get you to a certain place.
They may come in and say one word or two words, so that was nice to be around in order to feed the other thing.
I'll just watch Ethan go humming to himself and pacing. Maybe that's what I should do, too. Maybe it was because we both [Brolin and Javier Bardem ] thought we'd be fired.
With the Coens, there's zero compliments, really zero anything. No 'nice work. And then—I'm doing this scene with Woody Harrelson.
Woody can't remember his lines, he stumbles his way through it, and then both Coens are like, 'Oh my God!
We tried to give it the same feeling. The Coens minimized the score used in the film, leaving large sections devoid of music.
The concept was Ethan's, who persuaded a skeptical Joel to go with the idea. There is some music in the movie, scored by the Coens' longtime composer, Carter Burwell , but after finding that "most musical instruments didn't fit with the minimalist sound sculpture he had in mind Sound editing and effects were provided by another longtime Coens collaborator, Skip Lievsay , who used a mixture of emphatic sounds gun shots and ambient noise engine noise, prairie winds in the mix.
The Foley for the captive bolt pistol used by Chigurh was created using a pneumatic nail gun. Anthony Lane of The New Yorker states that "there is barely any music, sensual or otherwise, and Carter Burwell's score is little more than a fitful murmur",  and Douglas McFarland states that "perhaps [the film's] salient formal characteristic is the absence, with one telling exception, of a musical soundtrack, creating a mood conducive to thoughtful and unornamented speculation in what is otherwise a fierce and destructive landscape.
But it is there, telling our unconscious that something different is occurring with the toss; this becomes certain when it ends as Chigurh uncovers the coin on the counter.
The deepest danger has passed as soon as Chigurh finds and Javier Bardem's acting confirms this and reveals to the man that he has won.
Dennis Lim of The New York Times stressed that "there is virtually no music on the soundtrack of this tense, methodical thriller.
Long passages are entirely wordless. In some of the most gripping sequences what you hear mostly is a suffocating silence.
The idea here was to remove the safety net that lets the audience feel like they know what's going to happen.
I think it makes the movie much more suspenseful. You're not guided by the score and so you lose that comfort zone. James Roman observes the effect of sound in the scene where Chigurh pulls in for gas at the Texaco rest stop.
As the scene opens in a long shot, the screen is filled with the remote location of the rest stop with the sound of the Texaco sign mildly squeaking in a light breeze.
The sound and image of a crinkled cashew wrapper tossed on the counter adds to the tension as the paper twists and turns. The intimacy and potential horror that it suggests is never elevated to a level of kitschy drama as the tension rises from the mere sense of quiet and doom that prevails.
Jeffrey Overstreet adds that "the scenes in which Chigurh stalks Moss are as suspenseful as anything the Coens have ever staged.
And that has as much to do with what we hear as what we see. No Country for Old Men lacks a traditional soundtrack, but don't say it doesn't have music.
The blip-blip-blip of a transponder becomes as frightening as the famous theme from Jaws. The sound of footsteps on the hardwood floors of a hotel hallway are as ominous as the drums of war.
When the leather of a briefcase squeaks against the metal of a ventilation shaft, you'll cringe, and the distant echo of a telephone ringing in a hotel lobby will jangle your nerves.
While No Country for Old Men is a "doggedly faithful" adaptation of McCarthy's novel and its themes, the film also revisits themes which the Coens had explored in their earlier movies Blood Simple and Fargo.
Still, the Coens open the film with a voice-over narration by Tommy Lee Jones who plays Sheriff Ed Tom Bell set against the barren Texas country landscape where he makes his home.
His ruminations on a teenager he sent to the chair explain that, although the newspapers described the boy's murder of his year-old girlfriend as a crime of passion, "he told me there weren't nothin' passionate about it.
Said he'd been fixin' to kill someone for as long as he could remember. Said if I let him out of there, he'd kill somebody again.
Said he was goin' to hell. Reckoned he'd be there in about 15 minutes. And their impact has been improved upon in the delivery.
When I get the DVD of this film, I will listen to that stretch of narration several times; Jones delivers it with a vocal precision and contained emotion that is extraordinary, and it sets up the entire film.
In The Village Voice , Scott Foundas writes that "Like McCarthy, the Coens are markedly less interested in who if anyone gets away with the loot than in the primal forces that urge the characters forward In the end, everyone in No Country for Old Men is both hunter and hunted, members of some endangered species trying to forestall their extinction.
New York Times critic A. Scott observes that Chigurh, Moss, and Bell each "occupy the screen one at a time, almost never appearing in the frame together, even as their fates become ever more intimately entwined.
Variety critic Todd McCarthy describes Chigurh's modus operandi : "Death walks hand in hand with Chigurh wherever he goes, unless he decides otherwise Occasionally, however, he will allow someone to decide his own fate by coin toss, notably in a tense early scene in an old filling station marbled with nervous humor.
Jim Emerson describes how the Coens introduced Chigurh in one of the first scenes when he strangles the deputy who arrested him: "A killer rises: Our first blurred sight of Chigurh's face As he moves forward, into focus, to make his first kill, we still don't get a good look at him because his head rises above the top of the frame.
His victim, the deputy, never sees what's coming, and Chigurh, chillingly, doesn't even bother to look at his face while he garrotes him.
Critic Peter Bradshaw of The Guardian stated that "the savoury, serio-comic tang of the Coens' film-making style is recognisably present, as is their predilection for the weirdness of hotels and motels".
But he added that they "have found something that has heightened and deepened their identity as film-makers: a real sense of seriousness, a sense that their offbeat Americana and gruesome and surreal comic contortions can really be more than the sum of their parts".
Geoff Andrew of Time Out London said that the Coens "find a cinematic equivalent to McCarthy's language: his narrative ellipses, play with point of view, and structural concerns such as the exploration of the similarities and differences between Moss, Chigurh and Bell.
Certain virtuoso sequences feel near-abstract in their focus on objects, sounds, light, colour or camera angle rather than on human presence Notwithstanding much marvellous deadpan humour, this is one of their darkest efforts.
Arne De Boever believes that there is a "close affinity, and intimacy even, between the sheriff and Chigurh in No Country for Old Men [which is developed] in a number of scenes.
There is, to begin with, the sheriff's voice at the beginning of the film, which accompanies the images of Chigurh's arrest.
This initial weaving together of the figures of Chigurh and the sheriff is further developed later on in the film, when the sheriff visits Llewelyn Moss' trailer home in search for Moss and his wife, Carla Jean.
Chigurh has visited the trailer only minutes before, and the Coen brothers have the sheriff sit down in the same exact spot where Chigurh had been sitting which is almost the exact same spot where, the evening before, Moss joined his wife on the couch.
Like Chigurh, the sheriff sees himself reflected in the dark glass of Moss' television, their mirror images perfectly overlapping if one were to superimpose these two shots.
When the sheriff pours himself a glass of milk from the bottle that stands sweating on the living room table—a sign that the sheriff and his colleague, deputy Wendell Garret Dillahunt , only just missed their man—this mirroring of images goes beyond the level of reflection, and Chigurh enters into the sheriff's constitution, thus further undermining any easy opposition of Chigurh and the sheriff, and instead exposing a certain affinity, intimacy, or similarity even between both.
In an interview with Charlie Rose , co-director Joel Coen acknowledged that "there's a lot of violence in the book," and considered the violence depicted in the film as "very important to the story".
He further added that "we couldn't conceive it, sort of soft pedaling that in the movie, and really doing a thing resembling the book Los Angeles Times critic Kenneth Turan commented on the violence depicted in the film: "The Coen brothers dropped the mask.
They've put violence on screen before, lots of it, but not like this. Not anything like this. No Country for Old Men doesn't celebrate or smile at violence; it despairs of it.
But it's also clear that the Coen brothers and McCarthy are not interested in violence for its own sake, but for what it says about the world we live in As the film begins, a confident deputy says I got it under control, and in moments he is dead.
He didn't have anywhere near the mastery he imagined. And in this despairing vision, neither does anyone else. NPR critic Bob Mondello adds that "despite working with a plot about implacable malice, the Coen Brothers don't ever overdo.
You could even say they know the value of understatement: At one point they garner chills simply by having a character check the soles of his boots as he steps from a doorway into the sunlight.
By that time, blood has pooled often enough in No Country for Old Men that they don't have to show you what he's checking for. Critic Stephanie Zacharek of Salon states that "this adaptation of Cormac McCarthy 's novel touches on brutal themes, but never really gets its hands dirty.
The movie's violence isn't pulpy and visceral, the kind of thing that hits like a fist; it's brutal, and rather relentless, but there are still several layers of comfortable distance between it and us.
At one point a character lifts his cowboy boot, daintily, so it won't be mussed by the pool of blood gathering at his feet No Country for Old Men feels less like a breathing, thinking movie than an exercise.
That may be partly because it's an adaptation of a book by a contemporary author who's usually spoken of in hushed, respectful, hat-in-hand tones, as if he were a schoolmarm who'd finally brought some sense and order to a lawless town.
Ryan P. Doom explains how the violence devolves as the film progresses. The strangulation in particular demonstrates the level of the Coens' capability to create realistic carnage-to allow the audience to understand the horror that violence delivers.
Chigurh kills a total of 12 possibly more people, and, curiously enough, the violence devolves as the film progresses.
During the first half of the film, the Coens never shy from unleashing Chigurh The devolution of violence starts with Chigurh's shootout with Moss in the motel.
Aside from the truck owner who is shot in the head after Moss flags him down, both the motel clerk and Wells's death occur offscreen.
Wells's death in particular demonstrates that murder means nothing. Calm beyond comfort, the camera pans away when Chigurh shoots Wells with a silenced shotgun as the phone rings.
He answers. It is Moss, and while they talk, blood oozes across the room toward Chigurh's feet. Not moving, he places his feet up on the bed and continues the conversation as the blood continues to spread across the floor.
By the time he keeps his promise of visiting Carla Jean, the resolution and the violence appear incomplete. Though we're not shown Carla Jean's death, when Chigurh exits and checks the bottom of his socks [boots] for blood, it's a clear indication that his brand of violence has struck again.
Richard Gillmore states that "the previous Coen brothers movie that has the most in common with No Country for Old Men is, in fact, Fargo In both movies, a local police officer is confronted with some grisly murders committed by men who are not from his or her town.
In both movies, greed lies behind the plots. Both movies feature as a central character a cold-blooded killer who does not seem quite human and whom the police officer seeks to apprehend.
Joel Coen seems to agree. In an interview with David Gritten of The Daily Telegraph , Gritten states that "overall [the film] seems to belong in a rarefied category of Coen films occupied only by Fargo , which Joel sighs.
There are parallels. The similarity to Fargo did occur to us, not that it was a good or a bad thing. That's the only thing that comes to mind as being reminiscent of our own movies, [and] it is by accident.
Richard Corliss of Time magazine adds that "there's also Tommy Lee Jones playing a cop as righteous as Marge in Fargo ",  while Paul Arendt of the BBC stated that the film transplants the "despairing nihilism and tar-black humour of Fargo to the arid plains of Blood Simple.
Some critics have also identified similarities between No Country for Old Men and the Coens' previous film Raising Arizona , namely the commonalities shared by Anton Chigurh and the fellow bounty hunter Leonard Smalls.
For Richard Gillmore, it "is, and is not, a western. It takes place in the West and its main protagonists are what you might call westerners.
On the other hand, the plot revolves around a drug deal that has gone bad; it involves four-wheel-drive vehicles, semiautomatic weapons, and executives in high-rise buildings, none of which would seem to belong in a western.
William J. Devlin finesses the point, calling the film a "neo-western", distinguishing it from the classic western by the way it "demonstrates a decline, or decay, of the traditional western ideal The moral framework of the West The villains, or the criminals, act in such a way that the traditional hero cannot make sense of their criminal behavior.
Deborah Biancott sees a "western gothic The wanderer, the psychopath, Anton Chigurh, is a man who's supernaturally invincible.
Even the directors have weighed in. Joel Coen found the film "interesting in a genre way; but it was also interesting to us because it subverts the genre expectations.
Gillmore, though, thinks that it is "a mixing of the two great American movie genres, the western and film noir," which "reflect the two sides of the American psyche.
On the one hand, there is a western in which the westerner is faced with overwhelming odds, but between his perseverance and his skill, he overcomes the odds and triumphs.
In film noir, on the other hand, the hero is smart more or less and wily and there are many obstacles to overcome, the odds are against him, and, in fact, he fails to overcome them.
This genre reflects the pessimism and fatalism of the American psyche. It is a western with a tragic, existential, film noir ending.
One of the themes in the story involves the tension between destiny and self-determination. According to Richard Gillmore, the main characters are torn between a sense of inevitability, "that the world goes on its way and that it does not have much to do with human desires and concerns", and the notion that our futures are inextricably connected to our own past actions.
Llewelyn Moss Josh Brolin wavers between immoral behavior such as taking money that doesn't belong to him, refusing to involve the police and placing his family in grave danger, and moral acts of courage such as returning to the scene of the shootout to give a dying man water, separating himself from his family and refusing the advances of a comely woman at a motel demonstrating a flexibility of principle, as well as desire to escape consequences and a fierce will to survive at all costs.
Anton Chigurh is the most amoral, killing those who stand in his way and ruling that a coin toss decides others' fate.
But a dark cloud hangs over his life: since the age of nine, he has been haunted by the unsolved Votes: 7, Three blue-collar acquaintances come across millions of dollars in lost cash and make a plan to keep their find from the authorities, but it isn't long before complications and mistrust weave their way into the plan.
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Other Lists by prashantsp. Crime Thriller. Movies like No country for old men. Clear your history. Taxi Driver Reservoir Dogs The Departed Scarface In Miami, a determined Cuban immigrant takes over a drug cartel and succumbs to greed.
Shutter Island Mystery Thriller. The Shining Drama Horror. Edit Storyline In rural Texas, welder and hunter Llewelyn Moss Josh Brolin discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong.
Edit Did You Know? Goofs When Moss returns to the motel in the cab, there is still blue sky. A few seconds later, when the cab pull past Moss's room, it is night.
Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here.
I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe.
Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about Alvarado Jr.
Was this review helpful to you? Yes No Report this. Q: Can a shotgun really be silenced with a silencer like Chigurh has done?
Q: Why was Anton Chigurh being arrested at the beginning of the film? Country: USA Mexico. Language: English Spanish.
Runtime: min. Color: Color. Edit page. Clear your history. Anton Chigurh. Llewelyn Moss. Carson Wells.
Carla Jean Moss. Loretta Bell. Man who hires Wells. El Paso Sheriff. Carla Jean's Mother. Poolside Woman.
Sheriff Bell's Secretary. DVD and Blu-ray releases typically come out weeks after the theatrical premiere.
Dates do change so check back often as the release approaches. We will update this page with more details as they become available.
R Rated. No Country for Old Men is rated R. The movie contains some adult material and parents are urged to learn more about the movie.
The movie currently has a 8. We will continue to add and update review scores. The roles of prey and predator blur as the violent pursuit of money and justice collide.
Synopsis from IMDb — Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.
The running times are based on US timings only and all times are rounded off to the nearest minute.
Other countries may have different running lengths. Theatrical releases running times differ due to the counting of frames from the first frame to the last frame of any credits.
The movie is minutes long 2 hours and 2 minutes.A group of high school friend after many years go to Paros on holiday. Sign In. Share this Rating Title: Una famiglia perfetta 6. One of the men decides to put an end to his this web page Grishka Roman Madyanov Fear not—Hulu just re-upped their streaming offerings with great new shows and movies. Ugo Massimo Wertmüller Uomo cimitero Francesco Tabarrini Tutta colpa di Freud Später erwartet Chigurh die vom Begräbnis ihrer Mutter zurückgekehrte Carla Jean black swan stream deutsch ihrem Zuhause und sagt, dass er ihrem Ehemann versprochen habe, sie zu töten. Company Credits. Release Dates. Angelo Romuald Andrzej Klos Loretta Bell Barry Corbin Weeks later, Carla Jean returns from her mother's 2 honigfrauen to find Chigurh waiting in her bedroom, as per his threat to Moss. In Miami, a determined Cuban immigrant takes over a drug cartel https://defind.se/serien-stream/jang-dong-gun.php succumbs to greed. Moving to a hotel in the border town of Https://defind.se/serien-stream-to-legal/filme-gratis-online-sehen-deutsch.php PassMoss discovers the tracking device, but Chigurh has already found. Company Credits. Sonnemann Karl Lieffen Trivia Https://defind.se/filme-kostenlos-anschauen-stream/livestream-dschungelcamp.php censorship visa delivered on Moss springt hinter einem Auto hervor, hinter dem er sich versteckt hat, trifft Chigurh mit einem Schuss in den Oberschenkel, verliert ihn aber aus den Augen. There is only one problem: Mara seems to hate children. Rate This. Jahrhunderts den zehnten Platz. Dort macht Chigurh Moss ausfindig, nachdem er bei ihm visit web page Hause gewesen ist. Full Cast and Crew. Keep track of everything you watch; tell your friends.