Matthew modine

Matthew Modine Filme und Serien

Matthew Modine ist ein US-amerikanischer Schauspieler. Matthew Modine (* März in Loma Linda, Kalifornien) ist ein US-​amerikanischer Schauspieler. Inhaltsverzeichnis. 1 Leben; 2 Karriere; 3 Filmografie. Alle Infos zu Matthew Modine, bekannt aus The Dark Knight Rises und Full Metal Jacket: Matthew Modine ist ein US-amerikanischer Schauspieler, der in dem. Perfekte Matthew Modine Stock-Fotos und -Bilder sowie aktuelle Editorial-​Aufnahmen von Getty Images. Download hochwertiger Bilder, die man nirgendwo. Joker (Matthew Modine), Animal Mother (Adam Baldwin), Gomer (Vincent D'​Onofrio), Eightball (Dorian Harewood), Cowboy (Arliss Howard) und die anderen​.

matthew modine

Online-Einkauf von Matthew Modine mit großartigem Angebot im DVD & Blu-ray Shop. matthew modine filme fernsehsendungen. Joker (Matthew Modine), Animal Mother (Adam Baldwin), Gomer (Vincent D'​Onofrio), Eightball (Dorian Harewood), Cowboy (Arliss Howard) und die anderen​. matthew modine matthew modine

Matthew Modine - Inhaltsverzeichnis

Hawaii Five-0 Serie - Uhr. Zeit der Sieger Biographie , Krimi , Drama , Historie. Foster Boy Online-Einkauf von Matthew Modine mit großartigem Angebot im DVD & Blu-ray Shop. Startseite» Filme» » Krimi. Going South. Matthew Modine. Film (DVD). Zustand: Gebraucht - Gut. sofort lieferbar. % SALE %. Preis 2,97 €. inkl. MwSt, zzgl. matthew modine filme fernsehsendungen. The Dark Knight Rises Foley. Matthew studied with Stella Adler at her Conservatory of Acting. The Dark Knight Rises. DC Super Pets. Bob's https://defind.se/filme-kostenlos-anschauen-stream/nonstop-nonsens-stream.php were always parties. Outstanding Lead Actor in a Miniseries or a Movie. Los Angeles Times.

He knew everything there was to know about film production, about cameras, editing, music. He was just extraordinary, his depth of knowledge.

He'd clearly read books about acting, but I think he didn't trust emotions. One of the movies he always wanted to make was a film about Napoleon.

Emotions were the downfall for Napoleon, in that he was such a strategic, amazing general in the way that his mind functioned, but the frailty of human beings is emotions, and what do actors work with but emotions?

Drudging up memories of happiness and sadness. That was the complicated thing about working with Kubrick, was to be a technical actor and a well-oiled machine, and knowing all the aspects of what your character would be doing or what your lines are, but then there was emotion That was always a frustrating thing about working on a film, just the emotional aspect of the film In every sense, I'm a better person emotionally, mentally.

I'm just a better person having gone through that experience of working with Stanley Kubrick. Val Kilmer might be responsible for how I got the part in Full Metal Jacket , because I didn't know anything about it.

You had to audition. You had to send a videotape to Stanley Kubrick to audition for the film. That was back when people didn't have cameras and stuff like that.

That was a brand-new technology. Clearly Val had auditioned for the film and sent his tape, and he was pissed-off at me and wanted to get into a fight with me, because not only had I done Vision Quest and Mrs.

Soffel , which were two films he had maybe auditioned for, but now I was doing Kubrick's film, and he was pissed off and wanted to get into a fight.

I told him I wasn't going to apologize, and if he wanted to take it outside, I was happy to do that, and I was in shape from Vision Quest.

I would have kicked his ass. So I ran out of the restaurant that we were at in Los Angeles and called my manager and asked if he knew anything about my getting the role in Full Metal Jacket, and he didn't know anything about it.

So had Val Kilmer not sort of gotten pissed-off and challenged me in a restaurant and been angry at me for getting Full Metal Jacket, I would have never known about it.

Short Cuts was That was a very difficult film, because Robert Altman was juggling a lot of balls, a lot of characters, and a lot of things going on.

You were a part of a great big puzzle, but the wonderful thing was that you were invited to be a part of that puzzle.

The wonderful thing is, if you ask anyone that worked on that film, they would probably say that they were honored to have been invited to that party.

That was a good party. Bob's movies were always parties. On Cutthroat Island I was given a script that was so amazing about a guy and girl that Michael Douglas was going to do.

Then Michael Douglas dropped out, and I think there was a tremendous amount of pre-production money that had been spent and everything, and they needed to replace him really quickly.

My father was sick, so I said "I can't do this movie. And they said, "Oh, no. Everything will be fine. We'll help you and get this done and that done.

I flew back the next day, and I was playing the part, and then I came home. My dad stabilized. He was fine. And then I went off to the island of Malta to make the film, and was given a script.

It was unrecognizable from the script that I had said "yes" to. It went from a movie about a guy and a girl to a movie about a girl and a guy.

He was just kind of on the boat. I had the part that would have been normally allotted to the female, the heroine.

She had like a dude's part. They might as well have put on a strap-on on Geena's character. I mean, I had a blast making it once I realized what I was in-you have to make the best of the situation.

So I had a great time with Geena Davis, and she's a really good actor. So we had a good time working together.

The outcome of the film, that's never in an actor's hands. That's in the hands of the director. I know that we gave them the pieces that were necessary to have cut a bit of something together.

You know, the way a film gets cut together, that's the way the cookie crumbles. There's a really good movie there.

Mary , I think it's an amazing, gorgeous movie. Talking about somebody who's really searching and digging through their emotional life.

I think Mary is one of [Ferrara's] best films. I just love it. We won a prize at the Venice Film Festival.

The Pope gave it a blessing like, "This is a really great film about someone questioning their faith.

Somebody saying they wrote that script There isn't one line I spoke in the film that I didn't write, and the things that I didn't write were written by a bunch of old Jewish guys that wrote the Bible.

So you wanna take credit for that? Go ahead. But yeah, that was a problem. Go Go Tales , that's the least interesting of the three films I made with Abel.

He was trying to do something with comedy. Everything needs to have structure. You have to have needs and desire and everything set up.

Go Go Tales is just crazy. It's a crazy movie. Some people really love Go Go Tales. I prefer Mary On his role in Bamboozled Alec Baldwin was supposed to be doing that part.

So Alec didn't show up to do the part, and Spike Lee called me up and said, "Would you run down here and help me out? I like Spike. I think Spike's an important filmmaker.

I studied with Stella Adler. One of the first things that she said was, "If you're going to stand on a stage, be projected on a motion picture screen, or go into people's homes on their television, then you have a responsibility - not just to entertain.

They're going to be inspired and touched by the things that you do and the things that you say, and there's a responsibility that comes with that," and that's not one that I take lightly.

The thing about working with Bob was, it wasn't just those times working with him on the set, unless you're a schmuck, you become a part of his family.

You'll meet with him, have dinner with him, and you became a part of his life. Oftentimes you work with people on a film and then once you've wrapped, you never see them again.

Altman chose people that he enjoyed spending time with, and fortunately I was one of those people that became a part of his extended family.

When you're young you get by on charm and looks, and when you're middle aged there are some amazing opportunities that you have.

I just hope all this work I've done over the last 30 years has prepared me for it. On why he turned down Top Gun As a kid, I was always taught the Russians were the bad guys, the Chinese would destroy the world Then early in my career I was at the Berlin film festival and a guy took me to East Berlin.

I saw a monument to Russian soldiers who died fighting Germany. I met Russian soldiers and they were no different to my brothers who'd served in Vietnam.

We shared cigarettes, they gave me pins from their uniforms. When I got home, the Top Gun script was waiting for me and I knew I just couldn't perpetuate the lie.

When he's not working he's very sweet and very kind, but once you start filming, its a war. He becomes this little general who knows he doesn't have much time to get the very best from every element of his crew-which I consider an actor to be part of.

Everyone bears the brunt of his anger. My feeling is that Alan has to do that in order to be who he is and make the films he does.

I mean, Vincent Van Gogh was a mad fool running around chopping his ear off, drinking turpentine, and eating paint, but he produced something that was incredible.

I didn't put up with him, I just laughed at him. Don't get me wrong. I don't want a director who's going to say do whatever you want.

I want somebody who is going to force me out, because that's when it gets scary and interesting. Maybe that was what Alan was doing with all his ranting and raving.

It sounds so trivial to say, 'Oh, it was such a wonderful production. We all got along so well. And it is.

It wasn't an easy shoot. John Schlesinger was very sick during the first weeks of production, which put us under tremendous budget and time constraints.

He had to play catch-up. And filmmaking has changed. There used to be a comradery in people working together. John is probably the oldest filmmaker I've ever worked with, and he regrets that the industry has changed and become a business, that the production company insists that he deliver the film in a certain number of weeks, and that the film be under a certain number of minutes.

I read for her. She said, 'That was good. Now could you try it this way? Then she told me she wanted me to meet Sayles and the producers, Amy Robinson and Griffin Dunne , and they said, 'Great, we're going to use you.

I was so precise and so specific. I did not make one gesture or movement that did not have a purpose. I love Alan Parker because he's like an inventor -- they're ready to close the patent office and he comes along with something new and they have to open it again.

View agent, publicist, legal and company contact details on IMDbPro. Edit page. Andy Muschietti. Cowboy Ninja Viking.

Michelle MacLaren. Chris Pratt , Priyanka Chopra. Miguel Sapochnik. Aquaman 2. James Wan. Jason Momoa , Amber Heard. Edgar Wright. Demolition Man 2.

Sylvester Stallone. Matrix 4. Lana Wachowski. Untitled Super Mario Bros. Animated Film. Sesame Street. Jonathan Krisel. Anne Hathaway , Bo Burnham.

Doctor Strange in the Multiverse of Madness. Sam Raimi. Peter Pan and Wendy. David Lowery. Alexander Molony , Ever Anderson.

The Hunchback of Notre-Dame. Untitled Jonathan Glazer Project. Jonathan Glazer. Captain Marvel 2. Brie Larson. Mahershala Ali.

Armageddon Time. James Gray. DC Super Pets. Jared Stern , Sam Levine. Orbital Era. Kristen Stewart. Mitsuko Kase. Rob McElhenney.

Indiana Jones 5. Harrison Ford. Jason Reitman. Spiral: Saw. Darren Lynn Bousman.

Matthew Modine wurde als jüngstes von sieben Kindern in Loma Linda geboren. Amazon Warehouse Reduzierte B-Ware. Sicario 2 Jason Isaacs. An Actor Prepares BiographieDramaHistorie. ActionHttps://defind.se/filme-kostenlos-anschauen-stream/insidious-2-stream-deutsch-kinox.phpDramaThriller. Die Piratenbraut Fluke 0. Die Bibel: Jakob 6.

Matthew Modine - Leben & Werk

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Matthew Modine Die Mafiosi-Braut

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